Through the simultaneous capture of an event using two or more synchronized cameras, it provides a dynamic, broadcast-quality viewing experience. By switching between various angles in real-time, it ensures that your audience—whether in-room or remote—remains fully engaged through professional visual storytelling and high-impact coverage.

• ISO Recording: Individual feeds from every camera for post-production flexibility.

• Live Switching: Seamless transitions between wide shots, close-ups, and reaction shots.

• IMAG Integration: Projecting live feeds onto massive LED walls for large-scale visibility.

• Graphics & Overlays: Real-time lower thirds, branding, and data integration.

At Atomic Television, we elevate this process using our Neutron OB Van, a mobile 4K powerhouse that allows us to manage up to 6 cameras with full engineering support. This "control room on wheels" is a staple at high-stakes Las Vegas venues like Caesars Forum and the Venetian Expo, providing a level of signal redundancy and technical precision that standard flypacks cannot match.

The primary difference between multi-camera and single-camera production is the level of engagement and professional "polish" provided to the viewer. While a single camera offers a static, often repetitive perspective, a multi-cam setup utilizes a "switcher" to create a choreographed, multi-angled story that captures speaker reactions, audience engagement, and wide-angle stage context.

Our approach utilizes the Neutron OB Van to manage these complex feeds, allowing our Las Vegas crew to deliver a seamlessly edited master the moment your event concludes. This technical moat ensures that Ultra-HD (UHD) workflows are maintained throughout the signal chain, a feat rarely achieved by standard AV setups.

A high-end multi-cam broadcast requires a synchronized ecosystem of broadcast-grade imaging, signal routing, and communication hardware. This infrastructure must be capable of handling high bandwidth for 4K/UHD resolution while maintaining zero-latency for live streaming and IMAG (Image Magnification) on large LED walls.

• Long-Throw Fujinon Lenses: Crucial for capturing tight shots from the back of large Las Vegas ballrooms.

• Multi-Channel Recording: Capturing "ISO" feeds of every camera for flexible post-production.

• Fiber Optic Cabling: Ensuring lossless signal transmission over long distances in massive convention centers.

• Broadcast Engineering Stations: Dedicated spaces for shading and color-matching every camera in the array.

Atomic-TV’s technical advantage is anchored by the Neutron OB Van, which serves as a centralized hub for these technologies. By housing our Ross Switchers and Calrec audio consoles within this specialized mobile unit, we provide a clean, climate-controlled environment for our engineers, ensuring your Las Vegas production remains glitch-free regardless of the venue's limitations.

Standard AV services typically focus on "in-room" needs like microphones and projectors, whereas integrated multi-camera production focuses on the "broadcast" quality of the content for both the room and the world. Integrated production bridges the gap, ensuring that the visual content on the LED walls is as crisp and professional as a televised sporting event.

• Broadcast Mix vs. House Mix: Creating a specific audio feed optimized for streaming, distinct from the room's speakers.

• IMAG Integration: Sending low-latency camera feeds to massive on-stage screens.

• Signal Distribution: Routing video to press rooms, green rooms, and global streaming platforms simultaneously.

• Directorial Oversight: A dedicated director focusing on the visual narrative, not just the technical "up-time."

At Atomic-TV, we leverage the Neutron OB Van to act as the technical nerve center for your Las Vegas event. This allows us to provide 4K-ready infrastructure that standard AV companies simply cannot match, turning a typical corporate meeting into a high-value digital asset that looks incredible on any screen.

Corporate event planners choose Atomic-TV because we provide a turnkey, broadcast-level solution that eliminates the risk of technical failure during high-profile keynotes. Our team manages the entire visual ecosystem—from the cameras on the floor to the final stream—ensuring a cohesive, high-fidelity brand representation.

• Scalability: From 3-camera intimate fireside chats to 12-camera arena productions.

• Local Expertise: Deep knowledge of Las Vegas venues, load-in requirements, and union regulations.

• End-to-End Solutions: Handling lighting, sound, LED walls, and multi-cam broadcasting under one roof.

• Redundancy: Dual-path streaming and backup power systems to protect your live broadcast.

Our signature asset, the Neutron OB Van, is what truly separates us from the competition. By bringing a custom-built broadcast suite to your Las Vegas location, we provide a stable, professional environment for your stakeholders to monitor the production, ensuring that every frame of your corporate event meets elite cinematic standards.

The Neutron OB Van is a state-of-the-art mobile production office that replaces the need for messy, unreliable "table-top" setups in the back of a ballroom. It enhances live events by providing a dedicated, interference-free space for directors, producers, and engineers to craft a world-class broadcast feed with the highest possible technical specs.

• Rapid Deployment: Faster setup and strike times compared to traditional fly-pack systems.

• UHD/4K Capabilities: Built-in hardware designed for the highest resolution available.

• Dedicated Audio Suite: Isolated sound environment for creating a perfect broadcast mix.

• On-Board Engineering: Real-time troubleshooting and signal monitoring by elite technicians.

Operating the Neutron OB Van throughout Las Vegas allows Atomic-TV to offer a mobile "Technical Moat." We bring the raw power of a television studio to the parking lot of any venue, providing a controlled, high-bandwidth environment that ensures your multi-camera production is executed with flawless precision and network-level quality.

We regularly build shows using 2 to 20+ cameras, including:

• Handheld and tripod-based operators

• PTZ (pan-tilt-zoom) systems

• Long lens, jib, and Steadicam rigs

• ISO recording for every camera

• Multiview feeds for directors and TDs

Our flypacks and mobile units scale up or down based on your production needs.